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Robin said, "This is about a prisoner on Death Row who only has a few hours to live. He wants the prison chaplain to pass messafe a final message to his wife. There's a certain urgency about it. Myself and Barry wrote it. It's a bit like writing a script.

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What would they be saying, you know?

In the UK, the song was released as a single only. Both songs appeared on CD editions of the album. Let's not make it doom and gloom gto sort of an appeal to the person he loves.

He wants the prison chaplain to pass on a final message to his wife. He would pick up on all the things that McCartney would [do].

I've gotta get a message to you

He loved playing bass more than anything else, I think, at that time. Robert called us back to the studio at 11 o'clock at night and said, 'I want the choruses in harmony, I don't want them in just melody. I want three-part harmony choruses.

Since the North American Idea LP was released only in stereo, this companion mono mix was never released. Not sort of abstract, but definitely somebody in a very bad situation whose life is going to end. msssage

I think that night, I know for a fact, we didn't sing the choruses in harmony. Barry recalled, "In those days, the lyrics were almost pretty well done on the spot. This is it: 'Gotta get a message to you, hold on".

Robert called us back to the studio at 11 o'clock at night and said, 'I want the choruses in harmony, I don't want them in just melody. There's a certain urgency about it. Regardless of whether he's done a bad thing, he is a human being, and he's sending out this ro message.

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The correct speed can be achieved by playing the mono single mix at Not sort of abstract, but definitely somebody in a very bad situation whose life is going to end. What would they be saying, you know? Maurice was very good on different instruments, you know. That was it. As to the speed, Bill Inglot said in that the mix he made for the Tales from the Brothers Gibb box in is at the correct reel tape speed.

The two sound very different. However, it was dropped in favour of " Kitty Can ". Regardless of whether he's done a bad thing, he is a human being, and he's sending out this last message. He was versatile. It's a bit like writing a script.

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The first mix to appear was the mono mix for the single, followed closely by a stereo mix that appeared on North American copies of the Idea album. There's someone out there whom he loves. Good lead guitarist, good bass player, good keyboard player.

Then in the last ten minutes something will spark. It's a torch song, but meseage a very sort of theatrical sense. It plays faster than the stereo mix, but that is true of all the mono mixes for Idea. Because right now that's all he cares about.

I've gotta get a message to you

During preparation of The Studio Albums box set, another mix from was discovered, a mono mix that sounds like the stereo mix. For most of the song the album mix has percussion effects and looking for marcus overdubs not heard or barely heard in the single mix. As to the speed, Bill Inglot said in that the mix he made for the Tales from the Brothers Gibb box in is at the correct reel tape speed. For most of the song the album mix has percussion effects and string overdubs not heard or barely heard in the single mix.

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Everyone drove back to the studio, and that's what we did. The song we wrote together, all three of us.

That was it. I think that night, I know for a fact, we didn't sing the choruses in harmony.